Cultural capital
Power and media industries - Curran and Seaton
The media is controlled by a small number of companies primarily driven by the logic of profit and domination
Regulation - Sonia Livingstone and Peter Lunt
Transformations in the production, distribution and marketing of digital media, have placed traditional approaches to media restrictions at risk
Cultural industries - David Hesmondhalgh
Companies try to minimise risk and maximise audiences through vertical and horizontal intergration
Cultural Capital
The value of culture, the cultural resources of an individual (e.g. Knowledge, qualifications, art, customs and tastes)
- its a form of hegemony.
How does the Daily Mirror speak to its working class audience?
- Not very much text, pictures are easier to read, easy to understand. less highly educated readership
- Large sans serif font, more working class audience
- Only one main story, not a lot to read/concentrate
- Focused on politics, relevant to working class
- story on public transport - interest to working class
- Use direct address to make working class feel more included in politics "and what it means for you"
- Quite cluttered and crowded layout - not classy
Self fulfilling prophecy
Using a restrictive lexis is a form of hegemony and anchorage
End of audience theories - Clay Shark
- audiences are no longer passive: they interact with media products in an increasingly complex variety of ways
The media is controlled by a small number of companies primarily driven by the logic of profit and domination
Regulation - Sonia Livingstone and Peter Lunt
Transformations in the production, distribution and marketing of digital media, have placed traditional approaches to media restrictions at risk
Cultural industries - David Hesmondhalgh
Companies try to minimise risk and maximise audiences through vertical and horizontal intergration
Cultural Capital
The value of culture, the cultural resources of an individual (e.g. Knowledge, qualifications, art, customs and tastes)
- its a form of hegemony.
How does the Daily Mirror speak to its working class audience?
- Not very much text, pictures are easier to read, easy to understand. less highly educated readership
- Large sans serif font, more working class audience
- Only one main story, not a lot to read/concentrate
- Focused on politics, relevant to working class
- story on public transport - interest to working class
- Use direct address to make working class feel more included in politics "and what it means for you"
- Quite cluttered and crowded layout - not classy
Self fulfilling prophecy
Using a restrictive lexis is a form of hegemony and anchorage
End of audience theories - Clay Shark
- audiences are no longer passive: they interact with media products in an increasingly complex variety of ways

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